And the Hunter, Home From the Hill by Edward Morris is dark and brooding superhero fiction, the way it should be written.
The Flight Of The Red Monsters By Bonnie Jo Stufflebeam is a story of direction-less hate and war unleashed, of violence perpetrated without any consideration for the risks and the eventual downfall inherent in a genocidal war between species.
Cybernetrix by Carlton Mellick III is the weirdest work of 80’s sociopolitical satire you’ll ever read, based on one of the worst-best examples of early computer animation in popular culture.
CL3ANS3 by Carrie Cuinn is Lovecraft mythos for the digital age. It’s digitized horrors lurking somewhere behind and above your user-interface. It’s about ancient cosmic horrors catching up to our own alienated world and molding it to their own image.
Open Lines By Jeremy Maddux is late night talk-show madness. It’s madness in the airwaves, it’s drama in the recording booth. It’s red ON AIR lights flashing against the enveloping night, radiating outward from your AM dashboard radio.
My Best Friend is a Robot by Brady Gerber is a story about a man named Dave and his descent into an existential nightmare and the equivalent of the last other person on earth holding you under the water until you drown, then dying of a heart attack, thus leaving you unharmed but alone forever.
Super-Earth Mother by Guy Immega is the epic hard-scifi recounting of how mankind reached and finally colonized distant exo-planets, through the help of the AI agents and caretakers, the Mother series.
Romero 2.0 by David Conyers and Brian Sammons is old-school Martian zombie horror, the kind that the genre needs as it swan song, before we shoot it in the head and then cry about it for 4 episodes.
The Last Survivor of the Great Sexbot Revolution by A.C. Wise is not a story about smut. It’s not about far-future pleasure, either. It’s a story about endings, about history in the making, about one war seen in many different ways. It’s about the Moebius-strip shape of human history and human shame.
The Old One By PA Douglas is the literary equivalent of a chainsaw revving up halfway through a solemn open mic night of Lovecraft reading, before breaking into a slam poetry version of ‘The Fungi from Yuggoth’
North of the Arctic Circle By Peter Rawlik is a story about Christmas and the joy it brings to the meek and the mighty alike. It’s a story of almost-redemption and it plays out like a Hammer Horror Christmas Special.
The Stanley Parable by Galactic Café is an exercise in existential horror, detailing the further adventures of Stanley and the Narrator through video game hell. True to almost every depiction of Hell worth its salt, it is absurdly funny and harrowingly dark.
“The Voice in the Night” is a 1907 speculative fiction short story by William Hope Hodgson. It is about a sailing boat that encounters a solitary, disfigured man in the northern pacific and hears his horrible tale. Read More
Creeping Dawn: The Rise of the Black Centipede By Chuck Miller is a foray into a world of two-fisted adventure, possessed by the spirit of the 20’s, its hands filled with repeating automatics spitting hot lead until the barrels are little more than red-hot messes of twisted metal.
The Weaponized Puzzle by David Conyers is the second book in the Harrison Peel series, telling the further adventures of Australian Intelligence Service operative Peel, the world’s leading authority on 21st century encounters with the Mythos and Australia’s least lucky bastard.
Like Oceans of Liquid Skin by ES Wynn is a horror/scifi choose-you-own-adventure book, about a mutagenic weapons expert, stuck in a planet with an army of John Carpenter’s The Thing’s older, meaner, hungrier brothers.
All but mindless…
Doctor Taldas is a mutagenic weaponry expert in the employ of the Grey Society, a secret conglomerate of scientists and weapons manufacturers that have their hands in almost every pie in the stairways. After being called to Orcus Delta to investigate a case of what is described as a ‘possible xenological epidemic’ he realizes that Hell is a very real place, somewhere in the western spiral arm of the Galaxy.
Stop me if you’ve heard this one by KC Ball is a story about cruelty, phobia of germs and the ramifications of situational comedy, in regards to interspecies’ culture. It’s also kind of horrifying.